jasmin throw out their net of entwined jazzy harmonies and pull it back with rich prey. does koeln (cologne) ultimately really last for eight minutes? the EP closes with a bewitching popsong that makes time fly by. as if they had recorded it in scorching heat. but jasmin take it very slow this time, the song has a nearly sluggish feel. read this one within the (soccer-) context of holger fach from the first EP! rote sonne spins forth the thread of high-energy riffing. the title refers to 'stadium' and can be read as an ironical statement concerning huge rockband-riffing. heute im stadion is jasmin's version of contemporary hardrock. a repetitive guitar formulates the songs main motive, volume increases, and distortion and feedback gather like storm clouds at the horizon until the song erupts in a monsoon-like shower. everything remains fragile until the drums come in. clean guitar- and bass-tones are added and sketch the typical harmony-patterns your know jasmin for. Lernen von maedchen starts with some programmed beats and a filtered vibraphone.
the three chaps from munich present their second EP on 12rec in another exclusive collaboration with rotesonne records.
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taylor mixes modern classical music, bebop and free jazz. it is more about the beauty that lies beyond. Like on cecil taylor's 'unit structures' it is not about naming every note or every odd meter. Does complex music necessarily have to sound complicated? jasmin are back with four more songs to find out about.
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